The summer Reflets D’Été de Chanel collection features five Lèvres Scintillantes Glossimers ($29.50 each). Four shades are new in Hello 184 (limited-edition), Sexy 185, Happy 186 and Sunny 188, one shade Glaze 03 is a repromote. All are beautiful bright summery colors but extremely sheer. The shades for summer are all similar in concept to Glaze they are basically clear on my lips with a very slight tint of color. I don’t think anyone needs all of these, I certainly did not, but the bright cheerful names and color display got me. If you’re a frequent gloss user or die-hard Chanel fan you might really fall in love with each of these.
Glaze 03 is a light cool pink, Hello 184 is a transparent warm watermelon pink, Sexy 185 is a bright fuchsia pink, Happy 186 is a bright coral watermelon red, Sunny 188 is a sheer orange. All these shades only have numbers on the bottom labels.
Straight from the tube you can see the tinted color:
Blended they all pretty much turn clearish:
I did some lip swatches although they all pretty much looked the same. I have lips that tend to turn really pink or red if I rub them with clearish glosses. I was only able to swatch three before my lips started to turn a bright cherry red. Glaze, Sunny and Happy below, for skin tone reference I am wearing Tom Ford Foundation Stick in Bisque 04 (review/swatches here):
If you’re looking for a nice sheer gloss that isn’t too sticky, lasts relatively long on lips and love Chanel then you’ll find at least one that you like from this collection. Since I already own a lot of lip glosses (both sheer and pigmented) these seemed redundant to add to my collection, but I caved anyways at the counter. These are nice to layer over lipsticks without changing color too much and less boring than a traditional clear gloss. I have used up entire tubes of Glaze as I’ve found it to be an easy swipe-and-go no-fuss kind of gloss on lazy makeup days. These will add a nice sheen without drying out the lips.
On Chanel.com, all are listed as permanent except for Hello 184. The entire summer collection should be at your local counters now in the US. The glossers are also online now for $29.50 each at Nordstrom, Saks, Neiman Marcus and Chanel.com.
This summer Chanel brings us three new stunning shades of Illusion D’Ombre Long Wear Luminous Shadow in Mirage, New Moon and Utopia ($36 each for 4g/0.14oz). All three colors are breathtakingly gorgeous. I think all are universally flattering colors, each with a stunning mix of shimmers. Both New Moon and Utopia are listed as limited-edition, while Mirage is listed as permanent. As with all other Illusion D’Ombres, these are semi-sheer but layer able with intense shimmer.
Swatches:
More pics and swatches:
Mirage is a luminous warm bronze. It seems to have been launched to replace Initiation from Holiday (which is now discontinued, but still available at Neiman Marcus). If you compare the two shades, Mirage has a more refined shimmer while Initiation has more visible silver flecks of sparkle. Both are similar on the eyes.
It was a bit difficult for me to capture the differences with a flash, the shimmers blinded my camera so I have two sets of swatches. The one with flash is more accurate with color.
This one is without any flash, under artificial light, it makes the colors look a bit green, but shows the difference in undertone and texture better.
New Moon is my favorite of the three. It’s a complex burgundy, gold, brown, red mix. It can appear reddish when swatched on the arms or hands but it applies much more neutral on the eyes.
Utopia is a gorgeous lavender sparkle. It’s one of the few lighter pink/purples I can actually pull off without looking like I have pink-eye. Medium or dark purples are easy for me to wear (as long as the red in them is minimal), lighter purples tend to clash with my olive skin and make me look sickly. Utopia has the perfect mix of pink and purple.
Below comparisons swatches to Armani Eyes to Kill 30 (hard to find but swatches/review here), Bobbi Brown Cool Lilac, Chanel Utopia, Chanel Illusoire, Chanel Impulsion (review here) and Armani Eyes to Kill 8.
These are must-haves for summer in my book – especially for Chanel fans. For those who avoid dupes/similar colors, I think you’ll find these shades particularly unique. I’ve had a lot of fun playing with these over the last week. They are extremely versatile and easy to wear for any occasion (day or night). Lasting power is quite good as long as you’re not one who rubs your eyes frequently throughout the day.
The Illusion D’Ombres are $36 each, now at all Chanel counters in the US. Currently online at Nordstrom, Saks and Chanel.com.
Did you pick anything up yet at your local Chanel counters? Or did place an order online already? If you haven’t seen it the Illusion d’Ombres are TO-DIE-FOR! If you’ve checked it out tell me if I need the Blush Creme, I keep going back and forth on it. Happy Friday!
By popular request, I’ve gone through all my face and cheek brushes and picked out my favorites. I’ve been testing a number of brushes over many years (over a decade from my college days) and built my collection slowly over time. My experience with face brushes has been similar to that of my eye brushes. I started with a small handful of tools from Stila, Trish McEvoy and MAC. For many years I only had 4 face brushes and to this day I still think most can accomplish most of what you need for face makeup with a powder, blush, foundation and bronzing brush.
I’ve learned through makeovers, artist tips and a number of other blogs that there are a number of brushes with different materials, shapes, lengths and densities to help you apply your makeup better. I see face brushes like art tools – you probably need a few, but there are so many different kinds out there, they are fun to play with and experiment with.
The brushes I’ve picked are from more mainstream brands that are easily accessible.
There are a number of makeup artist brushes that look and sound amazing
from other blogs but I haven’t ventured into the artist brands. I’ve broken down my favorites into three categories. Face powder, blush and contour, and creams.
For all over face powders, whether it’s loose, pressed or powder foundation, I look for dense but soft brushes that will pick up product well and apply it evenly over the face. A more fluffy brush will give a sheerer application. I like larger ones that will cover your entire face with a few brush strokes.
MAC #134 ($53) is a brush that is currently only available at MAC stores/online but it has been released and re-released at other MAC counters numerous times, this is my favorite large flat powder brush, it’s dense, soft and perfectly rounded tip for easy powder application.
MAC #129 ($35) is the ultimate multi-taskers, it can be used for powder, blush or contour, for those who prefer a smaller brush for more precise control or someone who wants one brush that can do multiple things, this is your best option.
Chanel Powder Brush #1 ($65) is a well-designed brush with a domed tip, the bristles are slightly stiffer than MAC but the Chanel is still very soft and picks up powder well, I like this also with pressed powders such as Les Beiges and Dolce & Gabbana’s powder foundation because it applies powder evenly on the face.
Tom Ford Bronzer 05 ($115) is one that will break the bank but Tom Ford brushes are extremely well made, designed and deliver flawless makeup application. I purchased this as part of a brush set a couple holidays ago when they had a gift card event. This is the largest densest bronzer brush I’ve ever seen it feels like a soft kitten. If you look up reviews on this brush you will see it is well loved by many others (ie Café Makeup, RaeViewer, Temptalia)
Burberry Beauty Brush ($52) is my favorite short kabuki brush although a number of other brands are very similar in shape, size, material and feel. I purchased mine from Nordstrom although they don’t stock it online at the moment. You can still find it at Burberry. I like this for powder or bronzer. The reason I prefer this one is the handle is square while most other brands are round. This fits perfectly in my hand and I find it easier to hold. (MAC and Chanel are very similar in how they perform.)
Many cheek brushes are multi-purpose and can be used for both cream or powder. I don’t tend to use these for creams but I’ve had artists use these on me before for cream. I’m listing a number of brushes here that I love.
Tom Ford Cheek Brush 06 ($78) is a luxuriously soft blush brush, it picks up just the right amount of powder to apply color to the cheeks. As The Non-Blonde noted, this one is as plush as it gets. I find it perfect for Tom Ford blushes but works well with other brands. I personally don’t like it with super pigmented matte blushes because it will pick up too much color (like some NARS or MAC mattes/brights). For most everything else this one is perfect.
Chanel Blush Brush #4 ($54) is one my smallest blush brushes. It’s shaped and tapered in a way to layer blush easily. It’s a softer less dense brush so it works for a lighter application. If you’re one who likes to go easy on the blush but still wants to be able to control how much color goes on the face this is the best option.
MAC Duo Fibre Brush #187 ($42) is a classic must-have for highlighters. It’s the perfect brush for those Mineralized Skinfinishes to swipe a light blend of shimmer over the cheeks. I’ve had artists use this with foundation and cream products as well. It’s versatile and works well with any kind of highlighter whether it’s pressed, loose, or cream.
MAC Brush #168 ($35) is a classic contouring brush. It’s a good sturdy white hair brush with an angled tip. I find it medium-sized which makes it good for being able to control where you place the powder. It’s also a good brush for blending around the face.
NARS Contour Brush #21 ($42) is a new brush from NARS, you can read my detailedreview here, I usually don’t like angled brushes because I am more comfortable with more traditional brushes, this one makes contouring easy especially for those who aren’t pros at contouring (like myself).
MAC Brush Tapered Face Brush #138 ($53) is another harder-to-find brush, it’s made a re-appearance on limited-edition collections at counters, you can still find directly from MAC. For me this is the ultimate contouring brush because it’s shaped to place product right along the sides of the face where you want contour. It’s specially designed to streamline and enhance the makeup technique of
sculpting and shaping. Per MAC, “use the chiselled side for contour shaping of facial
planes; the pointed tip for applying and blending powder blush,
highlighter or face powder.” It’s another multi-functional brush that works well as a powder brush.
Tom Ford Cream Foundation Brush 06 ($72) is the ultimate blending brush for creams. If you ever try this at the Tom Ford counter they will demonstrate how it works with their foundation stick and blends the product on the face to perfection. With most brushes you will see some kind of streaks and still need blending with fingers or a sponge, the Tom Ford applies cream product (foundation or highlighter) streak-free.
Tom Ford Foundation Brush 01 ($72) is another cream brush designed to apply makeup streak-free. In my mind you don’t need both 01 and 06 (although the Tom Ford counter convinced me otherwise). They both perform the same for either liquid or cream foundations. If you’re trying to decide between one or the other, I would recommend 06 because it’s more unique in shape. If you want a standard foundation brush you can find many cheaper options. I find it a staple in my weekly makeup routine. It cleans easily – I use Bobbi Brown’s Brush spray cleaner after each use to lightly wipe it down but do a thorough washing after 2-3 uses.
Chanel Foundation Brush #6 ($45) is a classic foundation brush that is soft and applies foundation quite well. In my mind most foundation brushes are almost identical (i.e. MAC, Chanel, Prescriptives etc) in the bristles. The main difference is in the handle size. I like Chanel because it’s shorter and easier to travel with. I still get streaks no matter what brush I use (with the exception of Tom Ford) but this one works very well.
MAC Duo Fibre Brush #187 ($42) is repeated from above, I like this for cream highlighters because it will cover a large area with fewer swipes. It also works well for blending harsh lines or edges.
For face brush storage, I love Muji Acrylic Holders but they aren’t easy accessible for me and are often sold out online. I’ve used recycled candles from Jo Malone, Diptyque and Henri Bendel as alternatives. I also found clear jars from Crate and Barrel to be good for shorter brushes, tools or pencils. Stila and NARS Paint cans are also good for storing brushes if you are able to find them. Click on the Diptyque tag below for more storage ideas.
I usually use Neutrogena Body Wash to clean my brushes as the most economical method. I buy the large size at Costco which I use as a regular body wash anyways. I know many recommend baby shampoo but I always find it leaves a film on my brushes from the conditioning properties (might just be me). For those brushes that need extra work, I have three go-to’s for cleaning brushes which include MAC Brush Cleanser, Bobbi Brown Brush Cleaning Spray and Brush Cleanser (review here). These tend to be on the pricey side so frequent usage of these cleansers isn’t an option for me.
I realize this is a rather large and extensive list of brushes. You definitely do not need as many as I have collected over the years. I’ve been testing brushes for over a decade now (not to date/age myself) and have acquired them over time. Brush sets can be your most economical way to buy many at one time at a good price but those deal sets tend to be of lesser quality than individual brushes.
If I had to narrow my list down to my top picks these are what I’d narrow down my absolute essentials to: Chanel Blush #4, MAC Duo Fibre #187, MAC #134 or MAC #129, Tom Ford Cream Foundation 06, NARS Contour Powder #21.
I hope you found this brush guide helpful. The options can be overwhelming with all the shapes, sizes, materials and brands. To simplify your choices try thinking about what makeup products you gravitate towards in categories and whether it’s a powder, cream or liquid. Pick one for each main category to start.
While tools can be used for multiple areas, having more than one brush helps keep your makeup application cleaner and easier. For example while a powder brush can also double as a bronzer brush, having one brush for each product will prevent you from mixing products and accidentally brushing bronzer all over the face from left over product if you dip it into powder and bronzer (I’ve done it before and my entire face was several shades darker than the rest of my body).
What are your must-have face brushes? I would really love to hear what your tried and true are, new discoveries or staples. Also if you want to share how you store your face brushes I’m all ears. Do you store them upright in containers or put them in a brush roll?
Chanel’s Perfection Lumière Velvet collection features two new Joues Contraste Powder Blushes ($45 each for 4g/0.14 oz, European/Asia baked version) in Vivacité #88 and Canaille #89. Both are in the baked formula and are more dramatic color than the usual traditional Chanel blush. They look quite intense in the compact but don’t go on as dark on the face. Vivacité #88 is a dark pink rose that has a matte finish. Canaille #89 is a warm shimmery orangey tan color. I think these are a nice addition for spring-to-summer. Although the colors are quite rich, the texture is easy to layer and apply without looking clown-like.
The Perfection Lumière Velvet Collection:
Vivacité #88 and Canaille #89
Vivacité #88 is a darker pink with a hint of fuchsia. The tetxure on this one a bit harder than the US versions. It applies sheer but is layerable for more color. I recommend applying with a light hand though – this is one of those colors that you can easily overdo with one swipe too many.
Canaille #89 is a stunning shimmery coppery brown peach. It’s shimmery but not frosty. It has a softer texture than the Vivacite. This one is also easy to layer for color but the pigment is on the richer side.
I wanted to hate these since they are not the US formula (which I prefer). I tested both at the counter and the artist applied them on my face when I tested the new foundation. I could not resist. Both are so different from any other blushes I own. I’ve been playing around with these for a week and the texture seems to be ok in terms of application and wear. I still prefer the soft finely milled texture of the US version blushes but these are winners for color and wear. At first glance, both Vivacité #88 and Canaille #89 look intimidating in the pans, especially to those who prefer natural colors or have fairer skin. I found them to still wear quite naturally with easy to control pigment.
Chanel Perfection Lumière Velvet ($45 for 30 ml/1 fl oz) is the latest foundation formula from Chanel. It’s described as a lightweight, oil-free fluid foundation that provides a long-lasting matte-velvet finish. It has what Chanel calls “soft-focus pigments” which smooth and perfect the skin for a flawless look
that lasts all day. It comes in a sleek black bottle. I was matched to 30 Beige (I’m usually either a 20 Beige or 30 Beige for Chanel). According to the Chanel rep I spoke with at Nordstrom the new Perfection Lumière Velvet is going to replace the Mat Lumière.
The Perfection Lumière Velvet is indeed a lightweight foundation with medium coverage. It has enough pigment to even out the skin but not quite as full coverage as the regular Perfection Lumière. This new velvet formula is designed for those normal to oily skin.
At the counter the Chanel artist prepped my skin by cleaning first with the Creamy Cleansing Milk and then followed with the Hydra Beauty Creme. She tested 20 and 30 on my skin. We decided to go with 30 which was a perfect match. She applied the Perfection Lumière Velvet with the foundation brush and then finished with a light dusting of Les Beiges in No. 20 to set. I loved how the foundation blended on the skin with a smooth no-makeup feel. The Perfection Lumière Velvet adheres well to the skin but still lets it breathe. On my normal/combination this lasted all day long and the smooth velvety finish remained the same from the time it was applied well into the late evening. I like that it’s not a full-matte finish which prevents it from looking too flat.
Chanel had some amazing matte foundations back in the early 2000’s which they discontinued and replaced with Mat Lumiere (which I hated, I found it did not blend well and caked a bit on my skin). I’ve since tried to find a good matte-finish replacement, the closest is By Terry’s Hyaluronic Face Glow but it still doesn’t have the same velvety finish as the older Chanels. This new Perfection Lumière Velvet is a must- have foundation for those looking for a long-lasting natural makeup with a slight matte finish. I find it has been released at the perfect time of year as we start getting warmer weather. The color stays put on the skin without oxidizing. Below you can see how well it blends into the skin and evens out the texture:
I’ve been using this over a number of moisturizers, I like it right now over Le Jour de Chanel and set with the Les Beiges powder.
In terms of formula comparisons to the new Perfection Lumière Velvet to other Chanel foundations:
Chanel Vitalumière Aqua is sheerer and more lightweight in color. The new Perfection Lumière Velvet goes on smoother onto the skin and also is more fluid in texture. I found it much easier to squeeze out of the tube.
Chanel Perfection Lumière is heavier in texture and has more full coverage, I find the Velvet version to work better with my skin, the Regular version was a bit too heavy for me.
Packaging comparisons:
I’ve been testing this for a week and I’ve been really pleased with the results. I’ve always been a huge fan of Chanel foundations (except for a couple formulas) and I highly recommend you check out the Perfection Lumière Velvet foundation. I’ve had no issues with breakouts or clogged pores with this formula. It blends well, lasts all day and doesn’t change color. The velvety finish is natural but still matte-looking.
