There’s a stunning new eyeshadow palette from Chanel this fall called Les 5 Ombres de Chanel in Entrelacs ($80, limited-edition). It’s quite expensive but the colors are phenomenal neutrals that have a super soft texture with good buildable pigment. I think Chanel should make all their shadows in this formula – it melds into the skin flawlessly. The light colors are pigmented with a glorious shimmer giving them unique look. (In the pan they look almost matte.) The three darker shades are satiny in texture and layer nicely over each other. If you have a creamy liner or base on the lids you will see the dark shades pop. Chanel’s Les 5 Ombres de Chanel for fall is the perfect in-between of pure mattes and high frost shimmers. The finish is more of a satiny glow and I can’t rave enough about this palette. Even though I own enough neutrals to last 100 lifetimes I think this one is a must.
The colors left to right:
Shimmering soft ivory with a champagne shimmery glow
I suspect each color can be replicated with individual colors. Some of the ones above resemble older Chanel singles and quads that I own (the first one resembles Ivory, second resembles Sand, third looks like a brown version of the darkest color in Poesie, fourth is unique). I pulled two other palettes to compare, Chanel Charming from Holiday 2013 and Dior Eye Reviver 001:
Overall a winner. I highly recommend it. If you’re new to high end eyeshadows and want a good easy to wear palette of neutrals, the Les 5 Ombres de Chanel is a good introductory palette. It has conservative colors suitable for everyday wear but enough color to show up on the eyes and add dimension. Lasting power is very good – it stays put all day without fading or budging. I’ve used it with my go-to eye base from Edward Bess. I like it so much I have to buy a back it up.
You can find the fall 2015 Les 5 Ombres de Chanel Eyeshadow Palette in Entrelacs at all counters now, while supplies last since it’s limited-edition. Online at Chanel.com, Nordstrom, Neiman Marcus, Saks Fifth Avenue, Bergdorf Goodman and all other Chanel retailers.
Chanel has released a limited-edition eye shadow palette called Rêve D’Orient Quadra Eye Shadow ($70 for 2 g/0.07 oz, made in Italy). It was initially a special release only to the Chanel Boutique in New York on 57th Street. My dear friend Café Makeup e-mailed me to let me know the news in early October. By the time I received my order in the mail it sold out. The good news for Chanel fans is that this palette has launched at other retailers. I have thoughts and swatches to share with you today.
Chanel Rêve D’Orient was designed for the Dubai Cruise Show earlier this year. Each shade has a stunning star pattern embossed on the powders. Opening it simply took my breath away. The colors in the palette are well pigmented. The shades are a bit powdery so you might get a tiny bit of fall out with it, but it isn’t anything different than I experience with most powder shadows. The pigment is very smooth. All the shades have some degree of shimmer. The shades are quite complex with multi-dimensional shimmers. In some light the colors look more warm, in other lighting (like the one below) the gold tones show up more making it look more neutral.
The colors that are in this palette:
Deep warm brown with a very natural shimmery sheen
White gold ivory shimmer, I like that this is an ivory color that doesn’t turn yellow
Sparkling but very smooth true gold shimmer
Satiny pigmented black, this one applies very smoothly
Swatched on the arms with a brush. The palette comes with tiny white-tipped sponge applicators but I always prefer to use brushes:
Some have wondered how the Chanel Rêve D’Orient compares to the Charlotte Tilbury Fallen Angel. Both have beautiful star patterns embossed on the surface. They are very similar in overall effect, I would say that the Charlotte Tilbury pulls more cool-toned on me, while the Chanel is more neutral.
The differences I’ve seen from testing:
Charlotte Tilbury’s quad has a creamy texture, Chanel’s quad is more like a traditional powder
The black shades apply almost identical in the finish, I have a slight preference for Chanel’s because it’s more satiny and slightly smoother when you apply it
The deep bronze shade in Charlotte’s is more metallic, Chanel’s bronze has slightly more red/plum
Charlotte Tilbury’s pale shades are ivory champagne pink and silvery tan with a mauve sheen
Chanel’s pale shades are an ivory gold that’s off-white and the gold is a pure gold
Between the two, I prefer the Chanel, mainly because I can wear neutrals on the eyes easier than I can pull off cool tones. Although the shades in the Chanel palette do have a similar vibe to previously released singles, I think the formula, texture and pigment in the Chanel Rêve D’Orient surpasses the singles. The colors just blend in beautifully with the lids and the color adheres well to the lids. They layer together really well and the shades are distinct enough in undertone and texture that they don’t all look the same once applied.
It’s a splurge at $70 but in my opinion I’ve found it to be totally worth the splurge. It performs well, the pigment is super smooth, the colors are super easy to wear, and it’s extremely versatile for day, night and almost any occasion.
The Chanel Rêve D’Orient Quadra Eye Shadow is limited-edition. It has already sold out on a few sites I mentioned a few days ago, but right now still available at Nordstrom, Macy’s and Chanel.com.
I have four more shades of the Chanel Les 4 Ombres Multi-Effect Quadra Eyeshadows to share with you today. After falling in love with Poésie and Tissé Rivoli I decided to look at the other colors in more detail. I picked up Chanel Les 4 Ombres in Tissé Mademoiselle 214, Tissé Vénitien 232, Tissé Vendôme 204, and Tissé Gabrielle 208 ($61 each for 2 g/0.07 oz, made in Italy).
I had my eye on the neutrals initially but one of my favorite Chanel artists recommended I try Gabrielle and Venitien as well for more color and something different. All the quads have some degree of shimmer in each color. I found each quad to be well pigmented, some are more subtle than others. After testing all six quads that I now own, I think Tisse Rivoli and Poesie are still my favorites. If you find these don’t adhere well to your eyes, I recommend using a slightly dewy base. Edward Bess Illuminating Eye Base is my absolute favorite for evening the lids without making them look flat or dry. It sets after a few minutes but retails a slightly dewy texture for shadows to adhere well. It will help bring out the color without changing the shadow (some super matte eye bases end up looking very dry and change the colors of shadows by dulling them).
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Tissé Mademoiselle is a neutral quad with a satiny tan, satin cream, shimmery light peach champagne and a dusty fawn brown, all the colors have some variation of shimmer, on my Chanel B30 skin, this is very nude almost matching my skin color. If you start applying the colors from lightest to darkest it will all kinda blend in and blur. My recommendation with this is to start with the medium shade first and pack it onto the lids (top left corner shade), then layer the soft champagne (bottom left corner) and use the darkest shade to smudge on top. Finish with the palest color to highlight or blend any edges.
Here it is compared to Dunes (discontinued):
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Tissé Vénitien has a stunning mix of green, metallic silver, soft sheer pink and deep green. I’m normally not a fan of greens but this one is really lovely when layered together. The greens pop if you layer them over a black or brown liner with a dense smudge brush (I like Laura Mercier’s Smudge Brush or Corner Eye Brush for darker detail colors.)
Here it is compared to Murano (also discontinued):
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Tissé Vendôme is a another neutral palette. It has a tan brown shimmer, soft peach, apricot shimmer and deeper satiny brown. For this one I also recommend starting with the medium/middle shade (top left brown) and applying it all over the lids. Add the coral on top to blend and the darkest brown (bottom right) to intensify/define the lids. Finish with the lightest color as a highlight. You can of course apply this from lightest to darkest or whichever way you like the most. Some have mentioned that the colors all blend together (except for the darkest color) and end up looking the same on the lids. I personally like layering lightest to darkest, but with some quads, I like to start with the medium shades first.
Compared next to Shimmering Dunes (also discontinued, please excuse photo typo):
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Tissé Gabrielle is a smokey eye palette. It’s not the traditional grey/white/black smokey which makes this unique. I found the colors to be well pigmented but the colors went on lighter in color than what I expected.
I didn’t have anything similar, but here it is compared to Variation 37:
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Bottom line: new and definitely improved. I’ve always been a fan of Chanel quads for their neutral fool-proof easy to use combinations. I know not everyone has liked them as much as I have due to the sheerness of the colors. The new Les 4 Ombres Multi-Effect Quadra Eyeshadows have much better pigment and a super smooth texture. There is a diverse range of color options including blues, pinks and purples (which I didn’t gravitate towards but are still really stunning).
If I were to pick my top three, it would be Poesie, Tisse Rivoli and Tisse Venitien.
The Les 4 Ombres Multi-Effect Quadra Eyeshadows retail for $61 each. You can find these quads now at all Chanel counters and boutiques. They are also available online at Nordstrom, Neiman Marcus, Saks, Bloomingdales and Chanel.com.
Chanel just released nine new Les 4 Ombres Multi-Effect Quadra Eyeshadows in the US ($61 each for 2g/0.07 oz). I’ve been eagerly waiting for these quads to arrive in the US and am so happy they are finally here. I purchased two of the shades in Poésie #234 (limited-edition) and Tissé Rivoli #226. These come in the round pan format but the formula is different from most non-US quads that come with the round shapes. The texture is slightly creamy with amazing pigment and shimmer. They blend well on the lids without any base needed. The pigment is truly incredible and very easy to control. I’ve been a huge fan of the regular Les 4 Ombres (US versions) – I think the new ones are even better.
Poésie #234 is a limited-edition shade. It showed up online at Chanel.com and Macy’s for a limited time but currently isn’t listed. I contacted Nordstrom once the quads launched to see if Poésie would be listed and was told it is an in-store exclusive. I’m not sure if it will show up online again or not but you may need to track it down in stores like I did. It’s a stunning quad with a warm tan beige shimmer, an ivory shimmer, a dark blackened smokey brown-plum and a soft lilac shimmer. This is great for an everyday eye but the black shade is amazing for a smokey eye look.
Tissé Rivoli #226 is a neutral palette with warm neutral shades. It has a similar effect on me when I compare it to Poesie, but the Tisse Rivoli is slightly warmer and some of the shades are a tiny bit more sparkly. I don’t think you need both, but they are both really stunning.
Here they are swatched side by side, note that the shimmers are highly reflective so they look more shimmery in the photos than they are in real life. These were swatched with the sponge applicator:
I pulled a few other palettes to compare:
Fitting all the quads on one arm proved to be impossible so I have two sets of swatches. Comparisons show that Raffinement is very similar to Poesie and Tisse Rivoli:
Overall a huge thumbs up for both the new Les 4 Ombres in Poésie #234 and Tissé Rivoli #226. For those who like easy to use palettes with colors that are easy to combine these are perfect. Sometimes I get overwhelmed with larger palettes (although I do love them), having four coordinates shades makes life easier to create polished looks. I find both similar, Poesie gives me more of a smokey eye while Tisse Rivoli is more neutral but slightly more glitzy. I can’t choose between them.
Eight of the Les 4 Ombres Multi-Effect Quadra Eyeshadow are available now online at Nordstrom and Chanel.com. These should be arriving at your counters soon, I spotted these near me at Nordstrom and Neiman Marcus.
Chanel Les Beiges Healthy Glow Fluid ($45 for 30 ml/1 fl oz) is a tinted cream that comes in a beige squeeze tube. It has been released in several shades similar to the Healthy Glow Sheer Colour Powders. There are currently five shades in the US in 10, 20, 30, 40 and 60 (not sure if we will get shade 50). The US version comes with SPF 15 with the active ingredients listed as Octinoxate 2.5% and Titanium Dioxide 6.4%. I swatched both No. 20 and 30 at the counters on my hand and fell somewhere in between. The artist at the counter matched me to the darker end with No. 30 – he described this as a glow product that was designed to give a sheer wash of tinted color to the face to make it look like it has more color.
On my face it did not look impressive upon first application. It has a very sheer coverage and almost disappeared into my skin. However similar to the Sheer Colour Powders, you need to let this sit on the skin for a minute and then you will see it really give your entire face a healthy luminous glow (no shimmer, just glow). I’ve applied with fingers and the Chanel Foundation brush at home this week. My skin isn’t at it’s best right now so I find the Chanel Les Beiges Healthy Glow Fluid doesn’t give enough coverage to cover imperfections. It does make a good natural base – I need to layer on concealer or a heavier foundation on the cheeks and chin areas. Once my skin improves I do see this as a good every-day tinted product.
I usually fall within the Chanel 30 range for foundations. Swatching it
compared to other formulas shows that the Les Beiges Healthy Glow Fluid
No. 30 is quite a bit darker than the other No. 30s. The sheer texture
makes this formula more forgiving, blending it on make it match my skin
well. I probably could have gotten away with either 20 or 30, however as
warmer sunny weather approaches, the artist recommended I go with the
30 so I could wear it through summer. I did some photograph testing at
home, the Les Beiges Fluid photographs really well.
Comparing coverage and texture to other foundations, I would say the Les Beiges All-In-One Healthy Glow Fluid is most similar to Edward Bess Ultra Dewy Complexion Perfector (review here). If you have sensitive skin that can react to Chanel foundations or the SPF but want a good glow evening base or tinted product that isn’t too sheer, go with the Edward Bess.
Compared to other Chanel Foundations, the Les Beiges is more glowy with a more transparent finish. Others provide a lot more coverage and you can probably use this in conjunction with other formulas for layering. I definitely need to add other foundations on top of this for more coverage along with a dusting of powder.
Swatch comparisons to some other foundations I have. I don’t use all right now, some are from winter or earlier months when I was lighter in color. I’ll link previous reviews in case you want to read more about the formulas.
I’ve been testing this since Saturday and so far no reactions or break outs from this. It does have a noticeable fragrance similar to the Les Beiges powders and the Hydramax skincare line. I don’t find the fragrance irritating for my sensitive skin but I know others have mentioned to me that their skins couldn’t handle the formula. Ingredients listed below. (Click for larger viewing.)
If I were to rate this on a scale of 1 to 10 (10 being the high), I would give this an 8.5. I love the way it gives a good healthy glow. I would have liked it to have a bit more coverage, a bit more olive for my skin or a better match. It does blend out to a flawless finish and the sheer texture makes the color more forgiving. The warmth in this is what helps give the skin a bit of healthy color for that perfect summer glow. Often times I end up purchasing two shades of foundation to mix for a perfect match, I wasn’t sure if I wanted to buy both the 20 and 30 since the coverage is so sheer. At this time I’m still undecided, I’ll investigate when I check out the lighter multi-color powder in person.
If you have near perfect skin or just prefer sheer coverage (but not invisible) this is a good everyday product for you to wear with a sheer dusting of powder. If you’re like me and don’t have perfect skin this is still a good base product to give a healthy glow. Layering this under other foundations will give your face a healthy natural glow from within look without the shimmer or frost that other illuminating products give (I love shimmer but I know many of you do not).
Did you purchase the Les Beiges Healthy Glow fluid or the powders? Do
you find they run dark or close to your normal Chanel shade? If you can
comment on your skin tone matches and experiences that would be awesome for those who can’t get to a counter easily to test in person.
Chanel Les Beiges Healthy Glow Fluids retail for $45 each. Available now at Nordstrom, Saks and Neiman Marcus.
This summer Chanel brings us three new stunning shades of Illusion D’Ombre Long Wear Luminous Shadow in Mirage, New Moon and Utopia ($36 each for 4g/0.14oz). All three colors are breathtakingly gorgeous. I think all are universally flattering colors, each with a stunning mix of shimmers. Both New Moon and Utopia are listed as limited-edition, while Mirage is listed as permanent. As with all other Illusion D’Ombres, these are semi-sheer but layer able with intense shimmer.
Swatches:
More pics and swatches:
Mirage is a luminous warm bronze. It seems to have been launched to replace Initiation from Holiday (which is now discontinued, but still available at Neiman Marcus). If you compare the two shades, Mirage has a more refined shimmer while Initiation has more visible silver flecks of sparkle. Both are similar on the eyes.
It was a bit difficult for me to capture the differences with a flash, the shimmers blinded my camera so I have two sets of swatches. The one with flash is more accurate with color.
This one is without any flash, under artificial light, it makes the colors look a bit green, but shows the difference in undertone and texture better.
New Moon is my favorite of the three. It’s a complex burgundy, gold, brown, red mix. It can appear reddish when swatched on the arms or hands but it applies much more neutral on the eyes.
Utopia is a gorgeous lavender sparkle. It’s one of the few lighter pink/purples I can actually pull off without looking like I have pink-eye. Medium or dark purples are easy for me to wear (as long as the red in them is minimal), lighter purples tend to clash with my olive skin and make me look sickly. Utopia has the perfect mix of pink and purple.
Below comparisons swatches to Armani Eyes to Kill 30 (hard to find but swatches/review here), Bobbi Brown Cool Lilac, Chanel Utopia, Chanel Illusoire, Chanel Impulsion (review here) and Armani Eyes to Kill 8.
These are must-haves for summer in my book – especially for Chanel fans. For those who avoid dupes/similar colors, I think you’ll find these shades particularly unique. I’ve had a lot of fun playing with these over the last week. They are extremely versatile and easy to wear for any occasion (day or night). Lasting power is quite good as long as you’re not one who rubs your eyes frequently throughout the day.
The Illusion D’Ombres are $36 each, now at all Chanel counters in the US. Currently online at Nordstrom, Saks and Chanel.com.
Chanel Perfection Lumière Velvet ($45 for 30 ml/1 fl oz) is the latest foundation formula from Chanel. It’s described as a lightweight, oil-free fluid foundation that provides a long-lasting matte-velvet finish. It has what Chanel calls “soft-focus pigments” which smooth and perfect the skin for a flawless look
that lasts all day. It comes in a sleek black bottle. I was matched to 30 Beige (I’m usually either a 20 Beige or 30 Beige for Chanel). According to the Chanel rep I spoke with at Nordstrom the new Perfection Lumière Velvet is going to replace the Mat Lumière.
The Perfection Lumière Velvet is indeed a lightweight foundation with medium coverage. It has enough pigment to even out the skin but not quite as full coverage as the regular Perfection Lumière. This new velvet formula is designed for those normal to oily skin.
At the counter the Chanel artist prepped my skin by cleaning first with the Creamy Cleansing Milk and then followed with the Hydra Beauty Creme. She tested 20 and 30 on my skin. We decided to go with 30 which was a perfect match. She applied the Perfection Lumière Velvet with the foundation brush and then finished with a light dusting of Les Beiges in No. 20 to set. I loved how the foundation blended on the skin with a smooth no-makeup feel. The Perfection Lumière Velvet adheres well to the skin but still lets it breathe. On my normal/combination this lasted all day long and the smooth velvety finish remained the same from the time it was applied well into the late evening. I like that it’s not a full-matte finish which prevents it from looking too flat.
Chanel had some amazing matte foundations back in the early 2000’s which they discontinued and replaced with Mat Lumiere (which I hated, I found it did not blend well and caked a bit on my skin). I’ve since tried to find a good matte-finish replacement, the closest is By Terry’s Hyaluronic Face Glow but it still doesn’t have the same velvety finish as the older Chanels. This new Perfection Lumière Velvet is a must- have foundation for those looking for a long-lasting natural makeup with a slight matte finish. I find it has been released at the perfect time of year as we start getting warmer weather. The color stays put on the skin without oxidizing. Below you can see how well it blends into the skin and evens out the texture:
I’ve been using this over a number of moisturizers, I like it right now over Le Jour de Chanel and set with the Les Beiges powder.
In terms of formula comparisons to the new Perfection Lumière Velvet to other Chanel foundations:
Chanel Vitalumière Aqua is sheerer and more lightweight in color. The new Perfection Lumière Velvet goes on smoother onto the skin and also is more fluid in texture. I found it much easier to squeeze out of the tube.
Chanel Perfection Lumière is heavier in texture and has more full coverage, I find the Velvet version to work better with my skin, the Regular version was a bit too heavy for me.
Packaging comparisons:
I’ve been testing this for a week and I’ve been really pleased with the results. I’ve always been a huge fan of Chanel foundations (except for a couple formulas) and I highly recommend you check out the Perfection Lumière Velvet foundation. I’ve had no issues with breakouts or clogged pores with this formula. It blends well, lasts all day and doesn’t change color. The velvety finish is natural but still matte-looking.
