For the fall collections, Chanel seems to be releasing quite a few more products than usual with a series of mini collections focusing on eyes and lips. Seasonal collections are being released earlier and earlier each year. Perhaps the reason why they have launched a few mini collections to keep us Chanel fanatics satisfied once the real fall season comes around. Chanel had just released their Eyeshadow Duos only a few weeks ago (I ended up with Taupe-Délicat 20, Misty-Soft 40 and Gris 35) and now another collection has been released called Rouge Allure Extrait de Gloss which has a new lipgloss, new rouge allure lipsticks, rouge allure laque repromotes and three new nail polishes.
Amy from Café Makeup has done an amazing series of reviews on the Extrait de Gloss shades she picked out. Her reviews helped me immensely and I just received my package today. I have not yet had a chance to try out the glosses but I immediately dove into the new Le Vernis shades: Rouge Fatal 487, Rose Insolent 489 and Rose Confidentiel 491.
All classic colors, cream finish, rich in pigment, insanely gorgeous:
Rouge Fatal – dark burgandy red
Rose Insolent – vibrant candy pink
Rose Confidentiel – nude rose-brown-caramel-like pink
The swatches, descriptions, comparisons, more swatches and thoughts (swatched with 2 coats, no base coat or top coat added):
Rouge Fatal 487 is a deep burgandy vampy wine red. Chanel always does an amazing job with their reds and I was the most curious about this. I pulled out some similar shades and the closest ones I could find were Rescue Beauty Lounge Killa Red, Chanel Lotus Rouge and OPI Chick Flick Cherry. Note it was extremely difficult to capture the difference between these with the camera, so I will supplement with my descriptions. They are all indeed very similar here is how they differ:
RBL Killa Red – more of a true red, brighter
Chanel Rouge Fatal – most brownish
Chanel Lotus Rouge – my Holy Grail burgandy red, this is similar, but has more blue, no brown tones
OPI Chick Flick Cherry – brighter, redder, more like a cross between a cherry/red apple
* Please read the descriptions rather than going off my swatches for Rouge Fatal, the swatches are deceivingly similar
Rose Insolent 489 is a bright pink with warm fuschia tones. Those who missed out on Riviera from the summer collection will be happy to know this one is virtually identical to Riviera (see my review on Riviera here and here). I have to say their pick for Rose Insolent is odd for fall, even more odd that they released one so similar to a previous collection. The difference is that Rose Insolent is warmer and a bit deeper – but it’s very very slight.
Rose Confidentiel 491 is a brown rose caramel pink. On the boring side in the bottle, but I think this one is my favorite out of the 3 shades. I don’t have anything like it in my stash – often times these brown-nude-pinks tend to look like mud with my skintone. This one is a pretty neutral which is definitely office/work appropriate. I’m thinking it might be similar to Rescue Beauty Lounge Om (which I don’t have yet) but more pink, perhaps more neutral?
(No dupe from my end)
Other thoughts: Someone e-mailed me asking if I noticed a difference in the formula for Chanel’s darker newer shades. She had mentioned that hers seemed goopy and thick which did not apply well. She thought it might be her base coat. I did not have a good answer for her because I have not noticed a difference, but then I usually don’t do my own manicures. Today with the swatching, I noticed a few goopy-clumping issues with all my reds (Chanel, RBL and OPI) which I attribute to the following (after a few tries):
One is that you might not have enough varnish on your brush, if you have too little, you won’t get a good coat, but then you don’t want too much
The other is that, it’s possible you’re not letting your first coat dry long enough
The formula is definitely still superb. If you’re having application troubles, it might be your application technique. If the first coat isn’t perfect, it’s ok, the second coat should smooth things out as long as the first coat is dry enough and you have enough product on your brush. (Disclaimer – I’m not an expert at application, this is just what I noticed while swatching my nail polishes today.)
Overall thoughts: The formula and application of these are typical of Chanel in my opinion. The shades aren’t the most unique and I know there are definitely dupes in other lines in addition to what I have posted. If you missed out on Riviera you will be excited about Rose Insolent. Unless you’re a die-hard Chanel fan or don’t have a lot of nail polishes in your stash, you might be left wanting more with these. I personally would have loved some shimmer, a little more kick, or something more unique – but I have 3 more weeks of freedom until it’s back to the grind, so at least I know I have some non-nude colors that I can wear to work and not feel self-conscious or out of place. On another note, Chanel does a wonderful job on the classic shades – these are perfect in true Chanel style (even if I was hoping for something a bit more unique).
I think they are worth every penny.
I don’t think these have hit stores or counters yet since the duos were just launched. I ordered mine from Chanel.com. These currently retail for $23 each in the US.
Bobbi Brown has released another collection this fall called Black Velvet consisting of new lipsticks, creamy lip colors, eyeshadows and kohl eyeliner pencils. The standouts to me were the three Metallic Eyeshadows Black Berry, Black Charcoal and Black Cocoa ($20 each).
Those familiar with the Metallic Eyeshadows from Bobbi Brown know they have a luxurious texture – soft, pigmented and easy to blend. The new Metallics from the Black Velvet collection seem a bit different from her usual formula. They’re a bit harder in texture with a black base and different colored sparkles. The colors show up well when swiped on the finger but seem sheer when applied on the skin. They remind me of NARS Night Shadows – black base, sheer sparkle. I recommend that you apply these over a cream-based product such as a darker cream shadow or eyeliner – something a bit more emollient to pick up the actual color.
My descriptions:
Black Berry is a burgandy wine in the compact, but applies a deeper wine-plum shimmer
Black Charcoal is a charcoal silver color, applies a soft smokey grey
Black Cocoa is a glimmering chocolate gold, applies a smokey chocolate
Note that all apply well swiped on the finger, but when applied on the skin, you get a black base with bits of the colored micro-glitter (very tiny glitters):
More photos and swatches:
Swatches:
Swatched without a base, then swatched with a base:
Overall gorgeous and unique for Bobbi Brown – at least compared to all her other eyeshadows but I was disappointed in the finish of these eyeshadows because I was expecting the soft velvety texture that her Metallics usually have. When I think of the name of the collection Black Velvet, I think rich and lush textures and pigments. These are more of a soft smoke type of finish. Still good for a soft smokey eye, but alone, the colors are more subtle and you’ll get a slightly different variation of greyed black on the eyes with subtle bits of sparkle. To bring out the color you’ll need to use them over a cream base. I wouldn’t recommend using them wet simply because I think a wet brush will ruin the surface and texture of the eyeshadows. Perhaps using a soft damp brush might work, but I personally wouldn’t risk it. I was able to test them out at the counter and wasn’t quite sure if my fingers were just picking up the colors weird but after getting home and playing around with them a bit, I found out that they were indeed not the typical metallic finish.
I put Black Charcoal on my eyes as soon as I got home and it seems like even with a base it’s hard to see the shimmer. Bottom line is that I’ll need to experiment more with these. I think the intended result is a soft smokey eye rather than a shimmery smokey eye. This may be very much like last year’s Style Black collection from MAC, which took me a few tries to figure out just how to apply them on the eyes the right way.
So don’t write them off simply because I don’t know how to apply these. My regular Bobbi Brown artist wasn’t at the counter today when I stopped by so I didn’t get a chance to have her apply these on me. I’ll probably go back in the next week or so and ask for her tips. She’s a genius when it comes to applying makeup.
I passed on the other 2 matte shadows, I personally prefer the texture and color of Caviar and Smoke. The sparkle shadows that were supposed to be released were not at the counter yet. The lipgloss seemed really sheer. The creamy lip colors were black and then another that reminded me of Clinique’s Black Honey which I might go back for. I didn’t try the new lipstick or metallic lipstick. The Eye Kohls seemed pretty basic and I prefer her gel liners so I skipped those.
Everyone has a different definition of “nude.” Even each brand has their own interpretation of what they envision as nude (see various products with the word nude in their name in this article, What’s Your Definition of Nude?) I have been on the quest for the perfect true nude, but now that I have found it, I’m not sure how I feel about it.
Edward Bess Sundown Lipstick ($32) is a true nude in the sense that it is flesh toned beige. It’s more of a slightly greyed beige brown in the tube, but when combined with the pink in my lip, it wears to a straight flesh color. If you like MAC Siss, then you’ll probably like this one too (although Siss was like death on me). Sundown is creamy with full coverage. Makes a good base for glosses whether it’s a sheer sparkle or a bright cherry and it definitely tones down the lip better than concealer (which can sometimes be too dry for the lips). I’m not brave enough to wear it by itself – I think it definitely needs some layering with other colors for me.
For nudes, I prefer Pure Impulse on me which almost looks pink next to Sundown. One of my darker skinned friends bought this recently (Filipino, probably around NC45ish) and it was the perfect nude on her. I wish I could have gotten a picture, it was a perfect contrast to her tanned skin. The other nude Edward Bess has is Nude Lotus which I have not tried yet, although it looks absolutely gorgeous on Jennifer from Edward Bess at Bergdorf Goodman (see it on her on their Facebook page).
Here is Sundown compared to Pure Impulse (see the lip-swatch of Pure Impulse here):
Have you tried any of the nudes from Edward Bess? What are your thoughts?
The Compact Rouge ($38) by Edward Bess comes in three shades: After Sunset, Love Affair (coming soon) and Island Rose. It’s a multi-use product for lips and cheeks and comes in a small mirrored compact. I usually find “multi-use” products more suitable for only one of the uses they are intended for. Cream products for lips and cheeks are typically either too pigmented for use on cheeks (more suited for lips) or too creamy for the lips (and more suited for cheeks). Then there are those that are so creamy they end up making your skin look too dewey after a few hours. Not something that deters me from purchasing cream based products, however the Compact Rouges from Edward Bess are amazing in that they work well on both lips and cheeks without giving you a greasy finish.
Rather pricey at the size you get (I admit my jaw dropped at the size when I saw it in person) but I find them extremely versatile and naturally flattering. A little dab goes a long way. The formulas are creamy and easy to blend, but not too emollient so you can use them on the cheeks without worrying about that greasy/oily look as the day wears on. I like that you can control the level of pigment you want with these to get a wide range of finishes from heavy to sheer. I like mine to be applied with a medium hand on both lips and cheeks – I swipe 2 fingers (usually index and middle) across the compact, dot on cheeks in three places and just blend outward.
Compared to other brands, I find it similar in pigment to Bobbi Brown but easier to blend. It’s definitely more pigmented than Paul & Joe and NARS Cream Blushes, but then the Edward Bess is a multi-purpose product for both lips and cheeks (rather than just cheeks). It simply does not compare to MAC Blushcremes or Stila Convertible Colors (in my opinion). The EB is just different. Compared to Le Metier face creams, the Edward Bess is less sticky to the touch, but just as easy to blend. Note these are my own personal opinions, yours may differ based on your experience.
For the swatches below, I have medium skin with yellow tones. Right now the foundations I use are Chanel Shell Teint Innocence Liquid and Armani’s Lasting Silk Foundation in 5.5 + 6.5 mixed together.
The first shade released was Island Rose (a raspberry pink) with his Jet Set Collection last holiday. It was instant love. (Also guest swatched and compared on Karlasugar here.) I use it on a weekly basis. Occasionally they have promotions, the last GWP they had back in April was a free compact rouge with a $125 purchase. I have an extra one I keep in my purse. It’s been a life-saver several times when I had a last minute dinner date and nothing else in my car except my powder foundation and a compact rouge on hand.
After Sunset (described as a burned rose, almost bronzey reddish-brown) was released in April. Photos of the collection here. This is a versatile shade and great for girls who like warmer colors or browns. On me it’s a chameleon-like shade. Sometimes it goes on more neutral (like shown below). Some days it goes on darker and more brown.
Coming up in September, his newest shade Love Affair (a cool watermelon pink) is just as stunning. It is on the cool side. This shade has not officially launched in the US, but is scheduled to be released mid-September.
Here they are all next to each other:
Swatched at two extremes: heavy and super sheer
Note these may look different on you depending on your skintone and how heavy you apply these. I highly recommend checking out other websites such as Café Makeup, The Non-Blonde, Musical Houses. If you’ve tried these, please feel free to chime in your thoughts through the comments. If you’ve swatched/reviewed them, also feel free to link your website/blog for reference purposes.
I’m so excited to be able to give you a preview of the newest Compact Rouge from Edward Bess in Love Affair ($38) a lovely watermelon pink cream with the slightest hint of fuschia. The new Love Affair Compact Rouge will officially launch in the US at Bergdorf Goodman this September during their $25 off a $100 purchase Gift Card Event (exact dates to be determined, but it’s estimated to occur mid-September).
So why all the excitement? For one, it’s something new from Edward Bess. I love his small well thought out collection, yet I am always eager to see what he has coming out next. They were kind enough to send a complimentary sample to me before the launch date and Love Affair does not disappoint. It works well for both lips and cheeks, but I prefer this one on my cheeks. It’s fairly bright and more cool toned on the lips. On the cheeks, it gives a pretty doll-like pink blush.
I’m also a huge fan of the Compact Rouge from EB. I have already purchased Island Rose (raspberry pink) and After Sunset (browned rose), both of which I get regular use out of. I keep one on me most of the time for those last minute dates when I have to look somewhat presentable but have no time to go home and touch up my makeup. Easy to blend, fig scented, natural finish – these are among my favorite cream blushes. (I will review and compare all three in more detail very soon – they both have been featured on my blog before, it may require a bit of searching.)
Love Affair is a pretty addition to his collection. It’s is gorgeous pink, but better suited for those who can pull off bright pinks or cool pinks. I personally find Island Rose and After Sunset more versatile and universally flattering, but I think Love Affair will work with any of EB’s eyeshadows or eyeshadow trios. (In case you haven’t seen, check out my review on his single eyeshadows Edward Bess Eyeshadow Gorgeousness). On the lips I like it with a touch of gloss to soften the color (like EB Desert Glow, Chanel Bon Bon or Vanilla Aqualumiere Glosses), but it’s pure perfection as a blush for that healthy doll pink glow. If you like lip colors such as NARS Roman Holiday or Schiap, then I think you will adore Love Affair.
Here it is swatched:
L to R (swatched heavy and sheer): After Sunset, Love Affair, Island Rose
Also coming out very soon for fall include the following:
Endless Love Deep Shine Lip Gloss – $30
Sheer Satin Cream Compact Foundation – $60
Moroccan Rose Blush Imperiale Powder Blush – $48
Love Affair Compact Rouge – $38
I am anxious to hear descriptions of Endless Love and Moroccan Rose as the launch date draws near. Edward Bess is available in the US at Bergdorf Goodman (instore) and EdwardBess.com (online). Those not familiar with BG – at least twice per year, they have a $25 off $100 purchase event. Some of the beauty lines have an additional promotion such as a gift with purchase with each line. Past gifts from Edward Bess have been a full sized mascara and a full sized compact rouge (shades are predetermined). Minimum purchase amounts have typically ranged from $100 to $150, at least in my experience.
I don’t have the details on this year’s BG promotion, but I hear the BG counter will be sending out their info cards really soon!
As if news of new products wasn’t exciting enough, Edward Bess is expanding in the US! Not sure if you know, but I hear Edward Bess is launching at Neiman Marcus in Beverly Hills Sept. 1st and in Houston on Sept. 16th!
This was sample sent to me, courtesy of Edward Bess. At this time I do not have a disclosure policy as this is the first product I have accepted and reviewed. For more information, you may find this article helpful: Yes, No, Maybe.
I tried to resist, but Paul & Joe still has managed to capture my interest despite the odd packaging design for their fall collection. I picked out a few things from their Fall Collection Sparkles: Face & Eye Color CS 068 Paper Moon, Lipstick C in 066 Clair de Lune and 067 Over the Moon.
My favorite item is their Face & Eye Color CS ($35), a multi-purpose powder for eyes and cheeks. The colors are all pigmented with a gold sparkle in 068 Paper Moon. The stripes are similar in size to the Armani Eyes to Kill bulls-eye palettes, but the shape of the Paul & Joe palettes seem to be easier to work with. You will still need a smaller sized brush to keep from mixing the colors. It’s packaged in a cardboard box with an elastic brown strap. The packaging is delicate but simply stunning. I think the lighter shades will make a good highlighter – the trick for me will be to find a brush small enough to pick up only the lighter shades, but big enough for my cheek. I see myself using this for the eyes more than the face.
The Lipstick C ($25) this season seems to be sheerer than most of the Paul & Joe lipsticks I’ve tried. I thought I would be creeped out by the cat head but looking at them in person, the detail is adorable. The lipsticks are a semi-sheer cream with a hint of sparkle. The finish is highly glossy and has a moisturizing feel. It has that signature P&J scent – I can’t quite put my finger on it, but it’s almost like a soft powder. Note that the glossy finish on these made it difficult to swatch on the arm accurately. 066 is a pink mauve and 067 is a brighter sheer coral pink. I applied 066 on the lips and have to say as much as I love cats, the shape of the lipstick in a cat-head made this difficult to apply on the lips. Innovative and chic, but not very practical for application.
Swatched:
Overall – Paul & Joe still has my heart. I got these from the lovely ladies at Bergdorf Goodman. The collection should be available at most P&J retailers by now – I was a little late with my order this fall.
I know vampy is not quite in season yet, but after having to be neutral (for fingers) for the past ten days or so with non-stop interviews, I was starting to crave something dramatic. Research, preparation, anticipation, having to think quickly on my feet and respond to endless situational, behavioral and technical questions have all left me exhausted. I feel lucky to even get interviews in this economy, even luckier to make it past the first few rounds at more than one company, however a mani/pedi was just what I needed to wash away my anxiety from the past few weeks.
Today I chose Chanel’s Rouge Noir 18 for my manicure, a deep dark chocolate cherry kind of shade. If you apply coat, you can definitely see the burgundy/cherry red. If you add more coats, you get a darker finish that gets closer to dark black-red-brown. Here it is with 2 coats.
The bad news with Rouge Noir 18 is that it is no longer available in the US. The good news is that Rouge Noir is coming back this holiday in one of the Chanel Holiday sets (see KarlaSugar for details on the set). I’m not entirely sure about the history and background of Rouge Noir 18. The famous Vamp Le Vernis also has the number 18 on it (see my vampy shades compared here). They are definitely different even though they share the same number. I have a couple variations of Vamp as well.
I don’t know if there is a dupe for this shade. If you click on the link above to my vampy nail polish post, you will see that Diabolic and Forbidden from Chanel are different from Rouge Noir. As this manicure wears off, I will do a little experimentation with some other RBL, OPI and Rococo shades I have to see if I can find a dupe. At this time I cannot do an extensive search for a dupe outside of what I already own – things are bit hectic with my schedule.
I’m pleased with the results of my manicure, however, in hindsight, I think this was better in theory. It’s definitely still too early in the year for this kind of color on the nails. Toes are ok, but fingers just stand out too much.